TORPEDO RUN   Glenn Ford is a sub skipper in the Pacific. Every sub flick needs tension among the crew and this is the best deus ex machina of them all. Ford must hunt down a Japanese destroyer being shielded by a freighter that his own wife and infant daughter aboard. By attacking the target he risks his family. Not as much bathos as it sounds. Ford gives a marvelously touching yet restrained performance aided by Ernest Borgnine as his XO. Great special effects.

RUN SILENT RUN DEEP This one stars Clark Gable and Burt Lancaster. The original ad campaign said TERRIFIC TOGETHER! And they are. The tension rises when Gable pulls rank to get command of his old sub back, acing Lancaster out of the job. More action in the Pacific as the men face the Japanese navy and themselves. Look for Don Rickles in a supporting role.

UP PERISCOPE James Garner is an underwater demolitions expert assigned with a dangerous mission. By-the-book sub captain Edmund O'Brien has to get him deep into Japanese waters. The two clash immediately and things go from bad to worse on a mission that seems doomed before it begins. A very suspenseful surface action against a strafing Zero is the highlight of this one. This is my wife's favorite. It's very good but suffers from being set-bound in the final act.

THE ENEMY BELOW This time the good guys are on the surface and the badguys below. Robert Mitchum is the new skipper of a destroyer escort in the South Atlantic. He finds a German U-boat captained by Curt Jurgens on its way back to the fatherland. An excellent cat and mouse game ensues as the two warriors use trickery and raw courage to outwit one another. This one benefits from lots of outdoor locations and the full use of an actual US Navy escort.

DAS BOOT The German point of view this time in an excellent and absorbing film by Wolfgang Peterson. But it's a typically German flick full of dour moods and a downer ending. But the claustrophobic feeling of the film and the dynamite performances make this one a winner. German subs were more cramped than American ones. They were slightly smaller and crowded. One bunk served two men as they went off and on shifts. This film puts that across in a big way.

DESTINATION TOKYO A wartime entry. Cary Grant's the skipper and John Garfield shines as usual as a feisty torpedo mate. Nail biting suspense as Grant and crew enter Tokyo Bay to shoot Tojo's shipping like fish in a barrel. But how the hell are they gonna get out?

ABOVE US THE WAVES A British film based on the true story of the mini-subs designed and built for use in the Scandanavian fjords where German warships thought they were safely anchored. This one chronicles the ultra-secret mission to sink the German battleship Tirpitz moored far up a Norwegian fjord. Exciting and nerve wracking.   not available through Amazon.com

THE HUNLEY That rarity of rarities, a TV movie worth seeing again. Armand Assante is brooding and driven in his role as the Captain of the Hunley, the experimental Confederate submarine built to break the Union blockade of Charleston, South Carolina during the Civil War. It's a great period piece and the action is thrilling. The sacrifice and valor of the men entering this new and frightening theater of war are highlighted without the usual quibbling about the Southern Cause.

WE DIVE AT DAWN Another British film. A straight ahead wartime adventure that takes time to show the suffering of wives and family left behind. John Mills leads a cast of intrepid submariners who are obsessed with sinking as much Nazi shipping as they can. Refreshingly, none of the stodginess of other Brit war flicks made at this time. These guys are as gung-ho as their American cinema counterparts. Fun stuff.

OPERATION PACIFIC   John Wayne looks too darn big to serve in a submarine. But this is a sturdy wartime flick with plenty of action and a woman's touch thanks to Patricia Neal. Nowhere near as good as Wayne's other WWII naval flick, THEY WERE EXPENDABLE, but it's good nonetheless.

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Chuck